![]() Select the passage, then, if necessary, filter the notes you wish to change. Still, it’s better than nothing, so let’s explore that first. There is a small notehead style that you can use, but you can’t easily change its percentage. ![]() In Sibelius, the out-of-the box options are more limited. I could have also used the Resize Tool and clicked each individual note, or run Jari Williamsson’s JW Change plug-in to accomplish the same task. I would run the plug-in and enter the following settings in the dialog: Simply select the passage, and run the Resize Noteheads plug-in, found in Plug-ins > Note, Beam, and Rest Editing.įor example, let’s say I wish to resize the bottom note of a chord to a very specific percentage, say, 59% for whatever reason. This task is quite straightforward in Finale, so I’ll start there. Among our discussions was finding a way to get certain noteheads to appear slightly smaller or larger in Sibelius. Of course, the actual shapes could be changed if someone wanted to do it.My friend Steve Reading of Scores Reformed is making the stateside rounds this week, and he dropped by the shop to geek out with me about all things music notation and technology. * Also, offer the shape-notes code as a separate feature for use with TN, or perhaps other notations. * Finally, I'd like to wrap it all up in a Staff function like in your demo file, perhaps with a parameter to set the do position I know how to do bold with multi-lines close but didn't do it in these examples, * Did I read somewhere that there's a way to make dashed staff lines? I need to keep the code but either disable the print or put the accidentals where they really belong on the Klavar-staff Perhaps it's because the signature engraver isn't engraving? ? I'm not getting my keynote set right for the Klavar staff. ? how can I tell minor key from major key, supposing I wanted to put "do" at the minor tonic? * I cleaned up the shape notes and tried them in a couple demos and Für Elise, ISSUE: I'm getting very long stems on my Klavar staff * used the stem-doubler from twinnote instead of stem lengthen Haven't had a chance to review your response yet,īut meanwhile I've been trying things on my own. (cons -.5 -.5)) % coordinates for ly:stencil-translate #f automatically connect path to origin point? (0 0) Like this (but with changed path coordinates, of course.): The way to work around it is to draw your triangle in the box 0,0 to 1,1 (or whatever is needed) and then use ly:stencil-translate to move it -.5,-.5 (or whatever) so it is centered on 0,0. This is an unfortunate limitation of make-connected-path-stencil that the origin of the path has to be 0,0. > Is there an easier way to get 4 different orientations of the same shape than coding for separate stencils? > I've started reading through the suggestions you are making to Philip and John K. > I haven't tried adjusting the stems yet, but > Of course I can work on the aesthetics once I'm sure I'm generating the basic shapes correctly. > At this point, the thickness of the note outline seems to large for the note-or perhaps the staff lines are too thick. > In order to prevent this, I had to set the scale factor to about. > or at least, the boundary of a note symbol should not overlap past the center of a staff line. > I would assume a "space" note should just fit within two lines with upper and lower outside boundaries just tangent to the staff line, > Also, the boundary lines of the note symbol seems to overlap the staff lines > since 0,0 is now in the center of the notehead, not on the boundary. > However, I then need to add an additional line segment from the origin to the apex or base, > The problem is, instead of E being on the E line, it was on the F space (y +1) or the D space (y -1). > At first I drew them starting from 0,0 in the box from 0,0 to 1,1 > I have created note-shapes using make-connection-path-stencil. I think I am making some progress toward getting StaffTonnetz in Lilypond
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